Nikita Tsoy’s title “Ultraviolet” reveals that he is concerned with the border between the visible and the invisible. The border between the physical and the psychological. His radical portrait precisely negotiates this border. The anatomical forms dissolve. The psychic content bound in the body emerges as a deformation and dissolution of these solid forms. As if the psyche, in a struggle with the physique, is forcing it out of its own form. What remains is a struggling overall picture of a great inner turmoil that refuses the unity of body and soul.