As a fine artist, Franziska Reinbothe elaborates various pictorial invention strategies for herself within painting. Her opening question is always the same: What happens if...? Along the way, she is interested in what normally remains hidden: the back of a painted picture and its edges. To make them visible, she rams canvases together, reveals stretcher frames or dispenses with them entirely. In her work shown here, once the painting process was finished, she pulled the canvas complete with bottom wedge bar back through its own crossed support. The painted picture thereby exhibits its own origination process.