Maximilian Koppernock’s photo from the series Fruits are the sweetest before they rot is part of a collection on the inconspicuous but beautiful. A kind of investigation of the mundane. His associative compositions are subversive and dissolve genre boundaries. The image shown here eludes all interpretations almost compulsively, and positively bars access to its content. As with a stencil, only the outlines remain clear, providing the fantastical rest with contour.