In her photographic work ”Oohne Titel II-I“, Anke Stiller shows a specific detail of a former billboard in the urban area. For Stiller, the jagged points of a star, such as are commonly used in advertising, function as a type of quintessence, or “supersymbol”. Along the way, her gaze focuses on the representative, typifying content of these posters, whose visual motives subliminally inundate us on a daily basis in the urban space. Reconstructed and exhibited anew in the urban space on a hoarding – as advertising without advertising – it has an absurd effect and, in this absurdity, exposes its models’ image strategies.